Asexuality is the lack of sexual attraction to others or low or absent interest in or desire for sexual activity. It may be considered a sexual orientation or the lack thereof. It may be categorized more widely to include a broad spectrum of a sexual sub-identities. A sexuality is distinct from abstention from sexual activity and from celibacy, which are behavioral and generally motivated by factors such as an individual’s personal, social or religious beliefs. Sexual orientation, unlike sexual behavior is believed to be enduring. 5Some asexual people engage in sexual activity despite lacking sexual attraction or a desire for sex, due to a variety of reasons, such as a desire to physically pleasure themselves or romantic partners or a desire to have children

There is a patriotic obligation on all of us not to allow our Constitution and the idea of respect for human rights and dignity to slide into such disrepute.The debate over whether or not Obuntu-bulamu can be translated into a justiciable principle turns not only on the definition one gives to Obuntu-bulamu, but also on how and why Obuntu-bulamu can be considered an ’African’ value. Obuntu-bulamu, or something very close to it, appears in most African languages what remains therefore is the complex ethno-philosophical questions of whether or not Obuntu-bulamu actually represents a key ethical principle or ideal in African philosophy generally. In doing so one should be able to realise, at the very least, that the question of ’what is’ and ’what can’ constitute an ’African’ legal philosophy lies at the very heart of this discussion

With the rise of AI, artistic creation of content is no longer a purely human enterprise. Currently works made by AI are considered to be computer assisted or aided works and copyright/patent right is vested in the human being who uses Al as a tool. However, questions have arisen as who owns the copyright/patent right in AI-generated works where there is no human input. Is it the inventor of the AI? The owner of the AI (Who may not be the inventor)? Or might the AI be given a certain degree of legal subject status and thus have its own rights? Section 4 of the Copyrights and Neighbouring Rights Act, 20061 provides that the author of any work specified in section 5 shall have a right of protection of the work, where work is original and is reduced to material form in whatever method irrespective of quality of the work or the purpose for which it is created. Section 17 of the Industrial Property Act 20142 provides that the right to a patent belongs to the inventor. Section 17 of the same Act provides that where two or more persons have jointly made an invention the right to the patent belongs to them jointly. It remains unclear who the author or inventor of a work or invention by an AI will be.

This book introduces the controversy over intelligent Design; introducing some closely related views, such as creationism, theistic evolutionism and naturalistic evolutionism. It deals with the relationship of African jurisprudence and the natural sciences as a complex and controversial issue, it introduces many basic concepts used in the African context and African science discussion, and shows how my own approach of the intelligent design debate builds on these. It analyses the basic ideas and logic of design arguments, as well as setting the stage for further analysis and explores the philosophical and Africanised questions raised by the previous authors, with particular focus ion analysing critiques of “designer of the gaps” and “naturalism of the gaps arguments.” It focuses further on the intensions between ID and African theistic evolutionism and further analyses the discussion surrounding the problem of natural evil and design arguments it summarizes the philosophical basis of the fine-tuning argument or the problem of natural evil. However, my purpose is into to provide the deepest analysis of fine-tuning or the problem of natural evil to date, but rather to provide an analysis of the intelligent design movement’s particular design arguments and the structure of thought which underlies them in the African way. For this purpose, it is necessary to examine this design argument from a variety of angles, this will make it impossible to see anew connections and intensions that have into been clear in previous researchers.

“If the legal system or a particular law is wrong or not good enough, and should be changed: if that is against the law, then the law is an ass – an idiot….” said of a law that one thinks is unnecessary or ridiculous. The phrase comes from Charles Dickens Novel, Oliver Twist. This opinion was expressed by Mr. Bumble, when he learned from Mr. Brownlow that, under Victorian law, he was responsible for actions carried out by his wife. His words and action vividly convey the extent of his indignation when he apprised of this legal fact, if that’s the eye of the law, the law is a bachelor: and the worst I wish the law is that his eye may be opened by experience. (Resonate with changing society) This is the very purpose of this book. The law should be seen to resonate with changing society not a dogma for if we fail to do so then to use Shakespeare's exact line by the famous plotter of treachery “ the first thing we do, let's kill all the lawyers” this was stated by Dick the Butcher, in Henry VI part II, Act IV, Scene II, LINE 73 Dick the Butcher was a follower of the rebel Jack Cade, who thought that if he disturbed law order, he could become king.

Fashion is literally defined to mean a popular or the latest style of clothing, hair, decoration or behaviour. Fashion law can be defined as an amalgamation of various kinds of laws, viz, contract law, employment law, consumer protection law, but most importantly intellectual property law, which can be regarded as the major tenet of fashion law. It also includes related areas such as textile production, modelling, media and the cosmetics and perfume industries. It is a specific field of law that deals with legal issues that impact the fashion industry. Fashion is a popular aesthetic expression in a certain time and context, especially in clothing, footwear, life style, accessories, make up, hairstyle and body proportions. A trend often connotes a specific aesthetic expression and often lasting shorter than a season. Style is an expression that lasts over many seasons and is often connected to cultural movements and social makers, symbols, class and culture. Fashion is generally transient of short lasting in nature and involves continuous change.

Exorcising the inexorcible Buganda ghost: Hoodwinked, Dumped, Used and re-dumped; A quest for Buganda's cause for Buganda's independence. Buganda in response to their proposals, were invariably faced either cynical deception. What went wrong? Where did this insolent manner of talking down from the height of their exceptionalism, infallibility and all-permissiveness come from? What is the explanation for this contemptuous and disdainful attitude to Buganda interests and absolutely legitimate demands? Buganda has grown weaker and subsequently broken apart. That experience should serve as a good lesson for Buganda because it has shown us that the paralysis of power and will is the first step towards complete degradation and oblivion. Buganda lost confidence for only one moment, but it was enough to disrupt the balance of forces in the Uganda. As a result, this book will argue that the old treaties and agreements are no longer effective. Entreaties and requests do not help. Anything that does not suit the dominant state, the powers that be, is denounced as archaic, obsolete and useless. This re- division of the world, and the norms of international law that developed by that time and the most important of them, the fundamental norms that were adopted following WWII and largely formalized its outcome came in the way of those who declared themselves the "bread servers" under the scramble and partition of Africa.